synchronicities

an exhibition

The singular, hovering omnipotent eye, for whom does it gaze?
— Sam Samore, Artist

Videography, Aya Altaweel

It starts with the gaze. In reflection, something familiar appears; our vulnerable nature is exposed. Its surfaces become an echo chamber for tonalities belonging to the fragile. In layers of blues and purples, I navigate into themes of source, time, and transience. Synchronic and interconnected, the fragments catch light, and unfold before they vanish like fireflies.
—  Florence Montmare

In Synchronicities, Florence Montmare presents an installation that weaves together photography, film, performance, painting, and sculpture. Working with installation as a medium in itself, the artist choreographs spaces for the viewer to enter into their own personal visual world — a sensory experience where tales unfold between movement and stillness, and where time and space are altered.

Triangulation (2010)

With the fragmented contemporary world as a starting point, Montmare explores the notions of interior and exterior landscapes, examining the relationship between humankind, natural, and spiritual realms — between the visible and the hidden, the tangible and the ephemeral — as if in a waking dream. Stitched together, it becomes something that resembles a kaleidoscope of an installation.
— Angelica Blomhage, Curator Gotland Museum

Rise and fall (2023)

Liriope (2024)

Phantasme #1 (2002) in collaboration with Charlotte Åberg

Ascension, sculpture in limestone, white sand, and cement (2025), Partition (2022)

Installation at Gotland Museum

Montmare’s way of using the island’s incredibly beautiful nature
as a backdrop for our most difficult social challenges hits us right in the gut. At first, the installation felt like stepping into something quiet and beautiful, but the longer we stood there, the more the unspoken came to light. It was as if the images whispered: Look at this, don’t turn away. Montmare opens up a space where we can grieve, yet hope for a more humane future. We left the exhibition deeply moved... this type of art is needed right now.
— Frode and Elisabeth

L'Oeil de la Photographie | PRESS RELEASE

Exhibition at Gotland Museum in Visby, Sweden, until March 1, 2026.